For Writers: 5 Reasons Why Consuming While Creating is Dangerous

Hello, lovely ladies and classy gents! I hope everyone is having a fine November. To commemorate the month, I donned Ugg boots, strapped a pack of caribou to my sled, and navigated them to my local coffee shop for a pumpkin spice latte. I’m only kidding, of course. I live in Jersey, and snow has yet to fall where I am. Also, I find pumpkin spice lattes to be overrated and tolerable at best. I’m not joking about the Ugg boots though. I rock those things on the beach.

(Here is where I would have inserted a picture of me wearing Ugg boots and swimtrunks, which I actually did attempt to take for the sake of this post. The image did not come out properly. Think ‘newborn deer with hairy legs stumbling around with what looks like two broken feet.’ My sister’s Ugg boots are now five sizes too large. Sorry about that, Tal).

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Regardless, I’d like to talk to fellow writers for a moment about a dynamic that has been on my mind of late: Creation vs. Consumption.

Back in 6th grade English class (*cringe*), I used to write stories in a composition book. While my teacher was going on about what a pronoun was, I tuned her out so I could write. Why? Because I enjoyed reading stories, so I wanted to write one.

Over the course of my high school years, I directed two films, one a short and one a full-length production. Why? Because I enjoyed watching movies, so I wanted to make one.

I made a sandwich once. Why? Because my mother makes incredible sandwiches, so I wanted to make one. And I tried to, and it was a pathetic excuse for a sandwich (I apparently have a biological inability to spread peanut butter, cream cheese, or any other conventional spread using a knife).

And so, while I have learned in the classroom, watched movies, and eaten sandwiches (consumed), I have also written stories, made movies, and prepared sandwiches (created).

All while I’ve consumed things, I’ve used the calories I’ve taken from consumption and run miles with the energy provided to me. Because I simply can’t sit on all of the magnificent things I’ve watched and read. I’m inspired. I need to create. And I know that that is a feeling common amongst writers and artists alike.

Now, I’m not saying that there is anything wrong with indulging. Consuming is learning. Consuming is inspiration. There is nothing wrong with watching Netflix or reading books or spending copious hours on YouTube watching car crashes captured by Russian dashcams. Let me reiterate. There is nothing wrong with consumption.

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But consuming while creating is, in my view, dangerous.

As my followers know, I am working to complete the first draft of my novel by January 1st, 2017. Right now, I’m in creation mode. As a result, I’ve decided to restrict my consumption. Not entirely, of course. I’ll be seeing a movie this weekend. I fire up Call of Duty World at War Zombies on occasion (shoutout to JTrain, my go-to Zombie partner). Needless to say, enjoyment is reasonable and healthy.

But I’ve abstained from Netflix excepting the rare Anthony Bourdain episode when I’m eating a meal, and I’ve mostly halted my extensive movies-to-watch and books-to-read lists. Why? Because there is true danger in consuming while creating. Here’s why.

5. Simply put, time spent binge-watching Netflix could be time spent writing.

I fired up the first episode of Sons of Anarchy the other day. I got through precisely one minute of it before I shut it off. I’ve been wanting to watch the show for months, now, but I felt obligated to put it on hold. I know myself. I know that if I take a liking to the show, it will leech my time. And time is valuable, especially when I am working toward a fast-approaching deadline.

When free time bestows its beautiful self upon me, I am faced with a choice. Should I write, or should I do something other than write? The correct answer should be the former. Sons of Anarchy and its friends cannot be an option right now.

Now, I understand that leisurely consumption is crucial for clearing headspace, and clear headspace is essential for writing. For me, however, a quality television show provokes thought rather than dispels it. Perhaps if I want to unwind I’ll watch the Eric Andre show or something completely mindless. Otherwise, forty minutes of television isn’t going to provide for a mind cleansing.

Sorry, Sons. You’ll have to wait.

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This show makes me cry with laughter. Quite literally.

4. What we watch and read often colors our writing.

Reading is the key to writing, but doing the two simultaneously doesn’t work for me personally. I understand that this view is unconventional, and, for some, completely contrary to their lifestyle, but hear me out.

What we read influences what we write. It’s kind of cool how it works, actually. The authors we read will leave a ghostly mark on our works, whether we like it or not. But when I’m working on something of my own, the freshest works I am reading tend to leave a bit more than a ghostly mark. I do not want to accidentally rip off a style or, even worse, content, because I just had to read the next book in the series and something there pressed an inspirational button. That is a risk that isn’t worth taking. I am obligated to write my story my way. There is no room for external meddling.

3. Consuming a complete work in all of its glory can be discouraging when put up against our measly drafts.

Masterfully-told stories are inspiring. They are fuel. Braveheart and Breaking Bad and the Great Gatsby have displayed the power of the story to an expert degree. Stories such as those are the reasons why writers work up the nerve to try our hands at creating something equally as compelling.

But when I’ve been struggling for days to get a proper word written and I stumble upon the film canon of Quentin Tarantino or the beautiful row of Robert Jordan’s Wheel of Time series on the bookshelf not far from my desk, it’s hard to feel anything but defeated. “Tarantino and Jordan have created grand works that are beloved everywhere. And here I am unable to write a word.”

That kind of attitude, however uncommon it may be, is a threat to productivity. Self-defeating attitude is not helpful to writers. Avoid it. Focus on you and your work. Remember: Comparing a rock to a diamond before you polish the rock isn’t fair. Forget about the diamonds.

2. Indulging can lead to guilt.

For some, having a slice of pie is sinful. Why? Because some have established expectations for themselves. In reality, though, a slice of pie is alright. A slice of pie won’t send someone to the E.R. But nonetheless, when that person who is intent on dieting eats the pie to its last crumb, he or she feels guilty.

Much the same, I can absolutely allow myself some slack in the consumption department…except I won’t allow myself to. Otherwise I feel guilty. For real. ‘I should be writing. I want to write. Why aren’t I writing?’ Those are the thoughts I have when I spend my free time doing something less productive than working on my novel. Feeling guilty is no good. So I’m just going to keep writing.

1. Potential motivation is stifled by consuming that which we can restrict until our goals are met.

The joy of having a finished product is reason enough for celebration and treating ourselves, but might we work a little harder if we knew our favorite book series was waiting for us at the finish line? If the end of the tunnel was filled with the next season of that show or the sequel of that movie?

Assuming a mentality of “writing mode” in which consumption is essentially barred by prohibition and “not-writing mode” in which consumption is given the green-light would help to differentiate between what needs to be done and what is waiting for us after the storm. The rapture to be gleaned by switching from writing mode to leisure mode would be liberating. That liberation could serve as motivation itself.

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I realize that these ideas are cutthroat. The one-through-five list reads almost pessimistically. But I have always placed value in hard work. While writing itself may not be such a “serious” thing (we do it in our pajamas), the craft hinges upon discipline. And discipline is certainly a serious matter. I’ve never fallen into things lightly. Writing is no exception. If the thing isn’t kicking my ass, there isn’t a point in doing it.

To read somebody else’s take on abstaining from hobbies in the interest of writing, check out this excellent post from Roderick Wills, one of WordPress’ finest bloggers.

I’m interested in hearing what you have to say. Feel free to drop a comment!

And as always, stay classy.

~J.J Azar

5 Books and the Lessons They Taught Me About Writing

Hello, friends! I would like to extend a grand THANK YOU for helping me to reach a significant milestone: Though this blog has only been around for less than a month, it has already racked up 50 FOLLOWERS! (Shoutout to Gravy for being my 50th follower)! That is insane. A huge thank you is in order for those who read, like, comment, and follow the stuff I post. If you’re interested in following me on my Road to Authorship and joining the 50 of my incredibly classy posse, have no fear! The ‘subscribe’ option is located at the top of the sidebar. For mobile users, it may be located at the bottom of the page. My phone is a rock so I’m not entirely sure.

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I’m feeling as accomplished as I did that time I golfed with the knights. And won. Gallantly.

I’ve really enjoyed interacting with fellow bloggers as well. There are a host of fascinating people out there, many of whom who are also braving the Road of Authorship! For me, the blogging experience has been more about consuming than creating, and I am content with that dynamic, as I find great joy in reading what other bloggers write.

I look forward to reaching 100 followers and beyond. But until then, I have something else to share! I’d like to present 5 lessons about writing I have learned from 5 of my favorite books.

5. To Kill a Mockingbird by Harper Lee…

pvcategoryimage280220140516421605.jpgtaught me how powerful a character can be.

Strong characters are often taken to be of the “gritty fighter” breed. Jack Bauer and James Bond are strong, resonant characters because they kick ass at the expense of their well-being. Daryl Dixon of the Walking Dead is beloved for the same reason: All three characters are wounded tough guys who fight for the greater good with their fists (or crossbows).

Atticus Finch, however, showed me that there was a whole different way for a character to be badass: by embracing virtue. Whether Atticus is offering Scout wisdom or delivering his legendary appeals in the courtroom, his morality is palpable through his calm, honest countenance. In my mind, Atticus Finch should be considered among Martin Luther King Jr. and Abraham Lincoln as being a moral figure who exudes strength. That’s how real he is. And now I know that evoking a visceral reaction through a character by way of the pen is possible.

4. Kitchen Confidential by Anthony Bourdain…

Kitchen-Confidential 2.jpeg…taught me how integral it is to hold onto voice (I wrote a post on this exact topic last week. You can check it out here).

You know who Anthony Bourdain is. Chances are, you’ve seen him on Travel Channel or CNN running around countries, drinking alcohol, and making edgy jokes.

That’s the Anthony Bourdain I knew before I picked up Kitchen Confidential, the book that propelled him to fame. I am pleased to say that the Anthony on TV is no different from the Anthony on the page. I literally read the book in his voice. Not in the literary sense, in the literal sense.

The book features Anthony’s opinions, insights, and style without any filter. Every crass joke, every filthy story, every brutally honest observation is true to his style, his persona, and his worldview. If the book was filtered, it simply wouldn’t be Anthony’s book. And then I wouldn’t consider it to be one of my all-time favorites. I am committed to holding onto my voice as a writer, and that is largely thanks to Bourdain’s stellar book.

3. The Kite Runner by Khaled Hosseini…

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…taught me that, even today, “new classics” can be ushered into the world.

“There is nothing new under the sun.” I agree with that bit of wisdom. Every story that surfaces owes dues to stories penned by Shakespeare and Homer and the unnamed authors of ancient Mesopotamia.

It is no secret that the Lion King was heavily influenced by the story of Hamlet, and the story of Hamlet was undoubtedly influenced by stories that came before it. Even Inception, a sci-fi thriller whose concept appears to be the most original seen on screen in decades, is a nostos tale comparable to the Odyssey. But those comparisons don’t negate the profound impact of the Lion King or Inception on the audiences who have experienced them.

In much the same way, the story of the Kite Runner, to me, reads like a “new classic.” The tale tells Amir’s personal story, yet its concepts and its scope could be applied to any time in history all the same. Hosseini showed me that writing a new classic was possible. And that thought is inspiring to me as a writer who is seeking to tell a story that resonates.

2. The Treasured Writings of Kahlil Gibran by Kahlil Gibran…

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My personal copy

…taught me that language is best used honestly.

Often times, writers feel compelled to sophisticate their writing by adding pounds of abstract detail and convoluted ideas into their work. The practice is tempting, after all. Elevating one’s work to a higher degree is certainly a goal worth striving for. But the way Kahlil Gibran achieves this “higher degree” is by approaching language in such a way that can best be described as honest.

Gibran pulls from nature and emotion to convey ideas clearly and without pretension, a style which suits his subject matter. His clarity has more impact on me than any flowery piece I’ve read. His messages and the imagery with which he delivers them are incredible.

The way Gibran uses language is how I would like to use language in my writing: Properly, clearly, and honestly.

Without a doubt, this 900 pound behemoth is worthy of your read.

1. Lord of Chaos by Robert Jordan…

LOCCover.jpgtaught me that stories can transcend the page.

The Wheel of Time series by Robert Jordan is my favorite book series of all time. And that is putting it lightly. In the future, I will write up some WoT-centric posts, so if there are any Robert Jordan fans reading, say hello in the comments so we can bask in the glory of the Pattern together.

Lord of Chaos is the 6th book of the 14-book fantasy series. This installment is not only my favorite of the series thus far (I am currently reading book 9) but my favorite book of all time. (cue Kanye). Now, don’t get me wrong. The Wheel of Time universe became real to me from the very beginning. Books 1-5 had plenty of exciting, engaging moments. But Lord of Chaos cranked up the profound nature of the series from a 10/10 to a 25/10.

Above the host of story-changing moments throughout the narrative, various significant character moments, and a refreshing look at the antagonists’ perspective, there is another thing which sets Lord of Chaos above anything I have ever read. Two words: Dumai’s Wells.

The effects that this event at Dumai’s Wells had on me, on the characters, and on the story amalgamated into one big, “Oh my God.” In the same way that one is shocked by national tragedies and the deaths of beloved celebrities, Dumai’s Wells was, for me, very, very real. I was nearly ill at the details. For writing on a page to force me to articulate this one event so strongly is evidence enough that, if crafted with passion and read with excitement, fictional word can become a part of somebody’s life. And that is powerful.

~J.J. Azar